Case study: Hollywood Undead

This month, Californian based hip hop/rock band Hollywood Undead will release their long awaited debut album.
While on the surface this is just another record from just another band aiming for fame and fortune, from the digital relations point of view, it is an important event.
The Hollywood Undead were not born of a musical scene or years spent on the live circuit. They are children of Myspace.
The band were formed to release their music only on myspace, and used a variety of profile pics, bulletins, and a quickly rising count of hundreds of thousands of friends to build a purely digital fanbase.
Within one year, without playing a single concert, releasing a single CD, or even leaving their hometown, the Hollywood Undead were signed to a major label.
Even their music video was released only online.
They reached the number one position on Myspace (beating out major label stars like Rihanna) before their record deal and withouth professional representation. They had no funding, no massive marketing power, but they achieved greater exposure than Green Day.
If the Undead’s album can translate that digital success into real life, it will prove the power and effectiveness of digital promotion and the possibility of a digital music industry….

